Skip to main content

Light Observations


Airlie Gardens - 9/4/2017, 4:54 pm

Under a trellis, the sun is two and a half hours from setting, the archways and the vines cast harsh shadows on the ground, creating high contrast with low key lighting. The light is very intense, considering that the sun is the sole light source. Beyond the archways, harsh light falls on the fountain and the water - I think the color temperature is around 3000°k - 4000°k, it’s quite warm, the sun is between late afternoon and dusk. The way the sun streams through the vines creates warm toned leaf cutouts in the shadows on the ground and the pillars.

Downtown Wilmington - 9/3/2017, 5:31 pm

From the roof of a parking garage, the intense direct sunlight casts harsh light on surrounding rooftops. Shadows are cast by air conditioning units and telephone wires - cast down and towards the viewer, some rooftops are fully in the shade of their neighbor buildings. The color temperature may be growing towards 2000°k, dusk is approaching so the light is considerably warmer than average daylight at 5600°k. As the sun sets, the shadows become longer and more diffused, the color temperature grows warmer. The light appears cooler and more magenta tinted in the shadows.


Comments

Popular posts from this blog

Cucalorus Fire Codes

I was really interested in seeing a lot of the films playing at Cucalorus - particularly ones like Princess Cyd, Mr. Roosevelt, Porcupine Lake , and Life as Zucchini . Unfortunately I found the process of attending them very difficult. While being significantly outside of the price range I have to spare every month, when I did indeed hand over the amount required to buy tickets on the first floor of Thalian - as soon as I made it to the second floor I was told that the theater was filled to its fire safety capacity and I wouldn’t be allowed in. I understand that fire codes must be respected and they’re doing their job to ensure the safety of everyone in the theater, but I have to admit it was disappointing to have to walk back downstairs and drive all the way home, having lost the gas to get there and back, and having to miss out on the plans I refused in order to go to the festival without actually getting to see the film. The first time this happened I just resolved to go the next d...

Directing Experience - Master Shot

The Master Shot scene went well I think - I got to the location at 1 pm and began setting up the equipment - everyone was on set by 4, and we started filming at 5 - before we were rehearsing and managing equipment. We filmed just around sunset, wrapping up right after. Everyone left by 8 pm. I brought water for the cast and crew but in retrospect next time we should bring a cooler to keep it cold, it was very hot. We had a last minute actor cancellation for the executioner so he had to learn his lines very quickly, but he ddi well under the circumstances. I'm very satisfied with the actress's performance. It was extremely difficult to do sound with the wind and the water being so loud, but I think we still managed to get some alright audio. It will just require a bit more care in post-production.

Pre-visualization Materials

I was in charge of the storyboards, overheads, and the shot list. Storyboarding was fun because I got to visualize the sequence of shots in my head and think about how I want to reveal the information, and the overheads and shotlist appear to be pretty straight forwards. I have an idea for the editing where all of the dialogue is shown solely in close-ups at first, so the audience is unsure of what’s happening, intermingled with ominous sounds of ropes being tied and the river rushing and crows, until the final line, where Bran (the witch) says she might need it (the dead language) someday, and then it cuts to a long shot of her about to be drowned, and it’s revealed what’s been happening. I think this editing style might add some humor to the situation, so I’m hoping that it can work well with the shooting style meant for coverage.